For the bay, by the bay.

The cut is the only part the audience ever sees. Everything else is preparation.

I spent eight years cutting other people's films before I built splice. The thing that slowed me down was never the cutting — it was everything around it. The render. The relink. The "which version did the client mean."

So splice is the tool I wanted: a place where the edit is fast, the grade stays matched, and the notes live on the frame where they belong.

Here's the invitation: upload a cut. Grade one frame. Watch how fast the rest of the timeline falls into place. That's the whole product.